If a machine can think, decide and act on its own volition, if it can be harmed or held responsible for its actions, should we stop treating it like property and start treating it more like a person with rights?
In my previous post I argued that a wide range of AI and Autonomous Systems (from now on I will just use the term AS as shorthand for both) should be regarded as Safety Critical. I include both autonomous software AI systems and hard (embodied) AIs such as robots, drones and driverless cars. Many will be surprised that I include in the soft AI category apparently harmless systems such as search engines. Of course no-one is seriously inconvenienced when Amazon makes a silly book recommendation, but consider very large groups of people. If a truth (such as global warming) is – because of accidental or willful manipulation – presented as false, and that falsehood is believed by a very large number of people, then serious harm to the planet (and we humans who depend on it) could result.
On the 15th November 2016, the IEEE’s AI and Ethics Summit posed the question: “Who does the thinking?” In a series of key-note speeches and lively panel discussions, leading technologists, legal thinkers, philosophers, social scientists, manufacturers and policy makers considered such issues as:
The social, technological and philosophical questions orbiting AI.
Proposals to program ethical algorithms with human values to machines.
The social implications of the applications of AI.
The population of the scenic ski-resort Davos, nestled in the Swiss Alps, swelled by nearly +3,000 people between the 17th and 20th of January. World leaders, academics, business tycoons, press and interlopers of all varieties were drawn to the 2017 World Economic Forum (WEF) Annual Meeting. The WEF is the foremost creative force for engaging the world’s top leaders in collaborative activities to shape the global, regional and industry agendas for the coming year and beyond. Perhaps unsurprisingly given recent geopolitical events, the theme of this year’s forum was Responsive and Responsible Leadership.
The MIT Media Lab and the Berkman Klein Center for Internet and Society at Harvard University will serve as the founding anchor institutions for a new initiative aimed at bridging the gap between the humanities, the social sciences, and computing by addressing the global challenges of artificial intelligence (AI) from a multidisciplinary perspective.
Design company After the Flood team-up with author Lloyd Shepherd and illustrator Eunike Nugroho to offer a speculative glimpse of first-contact between a 21st century explorer and a host of wild robots. Are they friend or foe? Where do they come from and what controls them? If we saw one for the first time tomorrow, what would we tell our friends?
The Ethical, Legal and Social Aspects of Social Robots in Healthcare and Education Workshop (also called ELS Workshop) was held in Yokohama the 14th Nov 2016 during the JSAI-isAI Conference. The workshop was twinned with another workshop in the New Friends Conference in Barcelona the 2nd Nov 2016.
Sophisticated household robots are only just starting to show up in our lives, but all the building blocks for a veritable “Cambrian explosion” of robotics are there, as Gill Pratt described it when he was running the recent DARPA Robotics Challenge. The service robotics industry is emerging, and we will soon be seeing robots of all shapes and sizes making their first forays into our everyday lives.
Yueh-Hsuan Weng interviews Prof. Hiroko Kamide about her theory of “One Being for Two Origins”, derived from the teachings of the Buddha, and how her philosophy might impact the emerging field of roboethics.
How can robotics help to enhance the development of the modern arts? Japan’s famous playwright, stage director Oriza Hirata and leading roboticist Hiroshi Ishiguro launched the “Robot Theater Project” at Osaka University to explore the boundary between human-robot interactions through robot theater. Their work includes renditions of Anton Chekhov’s “Three Sisters”, Franz Kafka’s “The Metamorphosis”, and their own play “I, Worker”. Their work has spread internationally to Paris, New York, Toronto and Taipei.
For this interview, we would like to invite their collaboration partner Yi-Wei Keng, director of Taipei Arts Festival, to share his insights on the intersection of robotics and the arts.
The OPLINE Prize is the first online contemporary art award, where the audience vote for the winner out of 10 nominated artists. The winning artist receives 4,000 Euros and exhibitions. The winner also gives away a work of art to a random voter. The OPLINE Prize process in itself reflects on innovative digital culture and the engagement of the broader community in art.
It’s super hard to find skilled people willing to work for robotics companies in Silicon Valley. Even though robotics is awesome and going to change the world. Because big companies with big paychecks are stealing all the talent. So, you seriously can’t afford to overlook anyone. Yet, judging from the gender ratio at robotics companies, most are overlooking one huge potential talent pool.