Advances in robotics and AI have led to modern commercial drone technology, which is changing the fundamental way enterprises interact with the world. Drones bridge the physical and digital worlds. They enable companies to combine the power of scalable computing resources with pervasive, affordable sensors that can go anywhere. This creates an environment in which businesses can make quick, accurate decisions based on enormous datasets derived from the physical world.
WeRobotics Global has become a premier forum for social good robotics. The feedback featured below was unsolicited. On June 1, 2017, we convened our first, annual global event, bringing together 34 organizations to New York City (full list below) to shape the global agenda and future use of robotics in the social good sector. WeRobotics Global was kindly hosted by the Rockefeller Foundation, the first donor to support our efforts. They opened the event with welcome remarks and turned it over to Patrick Meier from WeRobotics who provided an overview of WeRobotics and the big picture context for social sector robotics.
Mosquitos kill more humans every year than any other animal on the planet and conventional methods to reduce mosquito-borne illnesses haven’t worked as well as many hoped. So we’ve been hard at work since receiving this USAID grant six months ago to reduce Zika incidence and related threats to public health.
Over the past year, 398 audiences of up to 2,000 people witnessed an octet of colorful lampshades perform an airborne choreography during Cirque du Soleil’s Broadway show Paramour, which ran until April 20th. The work behind the design and choreography of the flying lampshades, which turn out to be self-piloted show drones, bears the signature of the Swiss high-tech company Verity Studios.
But how novel is it really that robots have appeared in theater? Since Karel Capek’s science fiction play R.U.R. (short for Rossum’s Universal Robots) introduced the word “robot” to the English language and to science fiction almost 100 years ago, the technical challenges of incorporating robots into live performance and theater have been difficult to master. Before these Broadway drones, nearly all theater robots were remote-controlled puppets, relying on humans hidden off-scene to steer their movements and provide their intelligence.
The Xponential 2017 national conference was held May 8-11 by the Association for Unmanned Vehicle Systems International (AUVSI) in the Kay Bailey Hutchison Convention Center in Dallas, Texas. The event took place in the largest exhibit hall ever dedicated to unmanned systems and robotics, with over 370,000 square feet. It featured over 650 robotics organizations – companies, research institutions, universities, consultants, nonprofits and more – from the U.S. and countries worldwide.
Drone company Atmos UAV has launched Marlyn, a lightweight drone which flies automatically, effortlessly and at high wind speeds. One of the first customers that signed up is Skeye, Europe’s leading unmanned aircraft data provider. This new technology allows industry professionals around the world to map the surface 10 times faster and guarantees no more drone crashes.
JD Claridge’s story epitomizes the current state of the drone industry. Claridge, founder of xCraft, is best known for being the first contestant on Shark Tank to receive money from all the Sharks – even Kevin O’Leary! Walking the floor of Xponential 2017, the annual convention of the Association for Unmanned Vehicle Systems Integration (AUVSI), Claridge remarked to me how the drone industry has grown up since his TV appearance.