Robohub.org
 

The art of drone flight: Creating drone costumes


by
07 February 2017



share this:

Léa Pereyre creating new drone costumes. Credit: Verity Studios

Drone costume designer Léa Pereyre showcases several of her imaginative designs and describes her experience with dreaming up new concepts for this emerging art form.

Check out more designs on their Drone Costume Design Instagram, find it here.


The video below shows clips from the Broadway show PARAMOUR, created by Cirque du Soleil. The flying lampshades soaring over the actors are real. In fact, it’s a special type of magic we do here at Verity Studios. We develop drone shows for entertainment industries.

Once we knew lampshades can fly, we asked ourselves: so what else can fly? This is how I became a drone costume designer. When I arrived, I was given a blank slate. Except for the lampshades, little work existed in this type of field. I needed to conduct research, tests, and experiments, and that meant a number of failures. But with each failure, working designs were right around the corner. In 9 months, we developed lots of costumes. I tried to explore all kinds of varying designs, while at the same time learning about drone technology and its limitations and challenges.


Below, you can find a selection of costume designs.

This first costume is based on a resonance effect. The quad, by flying at the right oscillations frequency, excites the costume movement, giving it a distinct personality. Resonance is often encountered in engineering but usually with negative connotations.


When we create a costume, we have several physical constraints. One of them is the weight. For an 80 cm quad like the one we work with, the maximum costume weight is 250gr. This one (above) is built with a very lightweight and flexible polystyrene foam fixed on a carbon structure.


Each costume is related or will be related to a choreography. So we can decide to design a costume for a specific movement we would like to play with.

Reverse effect on the costume using the drone movement.

This costume is very lightweight: only 150 gr. The white parts are made to catch air. That way, when the quad is flying with large up and down movements the costume reverses. They are all connected with thin carbon rods braided together, providing a nice pattern.


In the next experiment, we aimed to create playful light interaction. We thought it would be interesting, as an alternative, to make use of reflected light.

The result is a simple costume built with mirror surfaces.

And then when you project light onto it, it creates reflections on the wall and ceiling.

And also on the costume itself: it becomes the screen of random graphic effects, giving it an eerie look.


The downward draft created by the drone poses major design challenges for all of the costumes. Since it’s impossible to ignore, why not use it to actuate something on the costume itself? That way we can use it to our advantage. Looking at the GIF below, the blue surface under the quad catches air — as it’s related by wires to the costume — so it creates a “pop-up” movement.

Every time the quad takes off the costume will change shape:


This costume was explored the concept “opening flowers”.

We imagined it at the Singapore airport, in baggage claim. There are giant flowers flying over people, landing on specific platforms to recharge, allowing people to observe the flowers/costumes. Each time the quads take off the costumes would blossom, like flowers.

We are only scratching the surface for this art form, there is still so much terrain to explore. We look forward to continuing this research and I hope for the moment you are inspired to imagine the infinite possibilities within this area.

All images credit Verity Studios.

Check out more designs on their Drone Costume Design Instagram, find it here.


If you enjoyed this article, you may also want to read:

See all the latest robotics news on Robohub, or sign up for our weekly newsletter.



tags: , , ,


Léa Pereyre works as a product designer. Currently engaged with the Verity Studios, she designs drone costumes and is part of a team creating dynamic machines and related systems for entertainment industries...
Léa Pereyre works as a product designer. Currently engaged with the Verity Studios, she designs drone costumes and is part of a team creating dynamic machines and related systems for entertainment industries...

            AUAI is supported by:



Subscribe to Robohub newsletter on substack



Related posts :

Robots in Society, Business and Culture: September 2026

We showcase a selection of robotics stories from society, business, research and culture.

Robot Talk Episode 167 – Automating construction, with Jan Petrš

  23 Oct 2026
In the latest episode of the Robot Talk podcast, Claire chatted to Jan Petrš from École Polytechnique Fédérale de Lausanne about novel robot designs for construction and architecture.

ACM SIGAI Autonomous Agents Award 2027 open for nominations

  20 Oct 2026
Nominations are solicited for the 2027 ACM SIGAI Autonomous Agents Research Award.

Powered by muscle cells, a paper-thin robot swims through watery maze

  19 Oct 2026
MIT engineers’ new aquabot offers a way to design small, efficient “biohybrid” robots.

Robot Talk Episode 166 – Evolving robot bodies and brains, with Rika Antonova

  16 Oct 2026
In the latest episode of the Robot Talk podcast, Claire chatted to Rika Antonova from the University of Cambridge about using artificial intelligence to develop complimentary robot hardware and algorithms.

Humanoid robots can sprint and box – but the real test is doing the laundry

  12 Oct 2026
No robot system can yet reliably handle the whole laundry process. Even folding remains a challenge.

Robot Talk Episode 165 – Robots behind the research, with Kushant Patel

  09 Oct 2026
In the latest episode of the Robot Talk podcast, Claire chatted to Kushant Patel from Brookhaven National Laboratory about robots that work in scientific facilities, such as particle accelerators.


↑


AUAI is supported by:







Subscribe to Robohub newsletter on substack




 















©2026.05 - Association for the Understanding of Artificial Intelligence