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by   -   November 29, 2016
Hiroshi Ota and Minako Inoue with 2 Robovie R3 robots in Oriza Hirata's "I, Worker"
Hiroshi Ota and Minako Inoue with 2 Robovie R3 robots in Oriza Hirata’s “I, Worker”

How can robotics help to enhance the development of the modern arts? Japan’s famous playwright, stage director Oriza Hirata and leading roboticist Hiroshi Ishiguro launched the “Robot Theater Project” at Osaka University to explore the boundary between human-robot interactions through robot theater. Their work includes renditions of Anton Chekhov’s “Three Sisters”, Franz Kafka’s “The Metamorphosis”, and their own play “I, Worker”. Their work has spread internationally to Paris, New York, Toronto and Taipei.

For this interview, we would like to invite their collaboration partner Yi-Wei Keng, director of Taipei Arts Festival, to share his insights on the intersection of robotics and the arts.

by   -   October 27, 2016

artistbook_inlove_25-10-2013loveherve-veronese-centre-pompidou-2-3The OPLINE Prize is the first online contemporary art award, where the audience vote for the winner out of 10 nominated artists. The winning artist receives 4,000 Euros and exhibitions. The winner also gives away a work of art to a random voter. The OPLINE Prize process in itself reflects on innovative digital culture and the engagement of the broader community in art.

by   -   March 21, 2014

Louis-Philippe_Demers_Blind_Robot

The Blind Robot by Louis-Philippe Demers is a reference to the works of Merleau-Ponty and his example of the body extension of the blind man’s cane, where the cane not only senses the world but also reveals the blind man as blind. Photo credit: Louis-Philippe Demers

Guest talk in the ShanghAI Lectures, 2010-12-16

Louis-Philippe_Demers

Embodied agents have a material existence whilst audiences share this very same world and space. This lecture explores the far-reaching and often surprising implications of embodiment, both from the perspective of the audience and of the robotic agents in Robotic Arts, which empower intangible contributions from the cultural context, the suspension of disbelief and the attribution of intention towards any outside physical objects acting upon the world.

by   -   February 13, 2014

AdrianneWortzelGuest talk in the ShanghAI Lectures, 2009-12-17

This lecture discusses the relevance of embedding dramatic scenarios and expressive language into methodologies employed in the research and development of biochemical and/or electronic sentient beings. The author demonstrates how adding imaginative modalities to current practices can afford a profound and positive effect on outcomes.

interview by   -   January 11, 2013

In today’s episode we speak with Rob Saunders about work done at the University of Sydney in computational creativity and curiosity.





The OpenROV project
June 14, 2013


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