In this episode, Christina Brester interviews Vladimir Stanovov, PhD student and researcher at the Siberian State Aerospace University (Krasnoyarsk, Russia). Stanovov speaks about a speech-controlled wheelchair, which seeks to provide people that are quadriplegic, that is people with partial or total loss of use of their limbs and torso, with the possibility to control their wheelchairs through voice commands. In this interview Stanovov discusses the basic parts of the speech-controlled wheelchair, the fuzzy controller he created, and the trials they had in the medical center.
In the wake of the BSI report 8611 on robots and robotic devices, Yueh-Hsuan Weng interviews Prof. Joanna Bryson of the University of Bath about her take on roboethics and regulating the future of human-robot relationships.
In this episode, Abate De Mey interviews Edward Neff, founder of SMAC Corporation. Mr. Neff discusses how breakthroughs in his company have allowed them to develop linear actuators compact enough to be used to actuate robotic fingers. Companies like Apple and Samsung push for the development of robotic fingers to perform lifelike tests on their phones.
Yueh-Hsuan Weng interviews Prof. Hiroko Kamide about her theory of “One Being for Two Origins”, derived from the teachings of the Buddha, and how her philosophy might impact the emerging field of roboethics.
How can robotics help to enhance the development of the modern arts? Japan’s famous playwright, stage director Oriza Hirata and leading roboticist Hiroshi Ishiguro launched the “Robot Theater Project” at Osaka University to explore the boundary between human-robot interactions through robot theater. Their work includes renditions of Anton Chekhov’s “Three Sisters”, Franz Kafka’s “The Metamorphosis”, and their own play “I, Worker”. Their work has spread internationally to Paris, New York, Toronto and Taipei.
For this interview, we would like to invite their collaboration partner Yi-Wei Keng, director of Taipei Arts Festival, to share his insights on the intersection of robotics and the arts.
In this episode, Audrow Nash interviews Dieter Fox, Professor in the Department of Computer Science and Engineering at the University of Washington, about the 100/100 Computer Vision Tracking Challenge. This is a self-imposed challenge to understand 100% of the pixels in an image 100% of the time in video footage; this includes understanding semantic information. Such understanding would allow robots to assist humans more naturally in environments like a home kitchen, wet lab, or in disaster response. To accomplish this challenge, Fox discusses challenges which include modeling, tracking, and detecting articulated objects.
In this episode, Audrow Nash interviews Hasier Larrea, Founder and CEO of Ori Systems and MSc candidate at the MIT Media Lab, about robotics used to transform personal spaces. Larrea discusses how the world is urbanizing and how new space paradigms are needed to accommodate this shift. He proposes robotic furniture that allows for what is not being used to be hidden, such as a desk or a bed. Larrea discusses the robotic systems, how these systems will be integrated into existing infrastructure, and the future or Ori Systems.
In episode seventeen of season two, we get an introduction to Min Hashing, talk with Frank Wood the creator of ANGLICAN, about probabilistic programming and his new company, INVREA, and take a listener question about how to choose an architecture when using a neural network.
In this episode, Audrow Nash interviews Edson Prestes, Professor at Federal University of Rio Grande do Sul and an organizer of the Humanitarian Robotics and Automation Technology Challenge (HRATC) 2016 competition. The HRATC competition challenges teams around the world to develop methods of controlling robots to detect land mines in large open environments.
In this episode, Ron Vanderkley interviews Jürgen “Juxi” Leitner, a researcher at the ARC Centre of Excellence in Robots Vision in the Queensland University of Technology in Australia. Leitner speaks about a system being developed for the Google Lunar XPrize, called LunaRoo.