The device named “Spark” flew high above the man on stage with his hands waving in the direction of the flying object. In a demonstration of DJI’s newest drone, the audience marveled at the Coke can-sized device’s most compelling feature: gesture controls. Instead of a traditional remote control, this flying selfie machine follows hand movements across the sky. Gestures are the most innate language of mammals, and including robots in our primal movements means we have reached a new milestone of co-existence.
If a machine can think, decide and act on its own volition, if it can be harmed or held responsible for its actions, should we stop treating it like property and start treating it more like a person with rights?
Pepper, Jibo and Milo make up the first generation of social robots, leading what promises to be a cohort with diverse capabilities and future applications. But what are social robots and what should they be able to do? This article gives an overview of theories that can help us understand social robotics better.
In this episode, Abate De Mey interviews Edward Neff, founder of SMAC Corporation. Mr. Neff discusses how breakthroughs in his company have allowed them to develop linear actuators compact enough to be used to actuate robotic fingers. Companies like Apple and Samsung push for the development of robotic fingers to perform lifelike tests on their phones.
How can robotics help to enhance the development of the modern arts? Japan’s famous playwright, stage director Oriza Hirata and leading roboticist Hiroshi Ishiguro launched the “Robot Theater Project” at Osaka University to explore the boundary between human-robot interactions through robot theater. Their work includes renditions of Anton Chekhov’s “Three Sisters”, Franz Kafka’s “The Metamorphosis”, and their own play “I, Worker”. Their work has spread internationally to Paris, New York, Toronto and Taipei.
For this interview, we would like to invite their collaboration partner Yi-Wei Keng, director of Taipei Arts Festival, to share his insights on the intersection of robotics and the arts.
In this episode, Audrow Nash interviews Emo Todorov, Director of Movement Control Laboratory at the University of Washington, about a physics-based optimization method for controlling robots. Todorov describes how his physics-based method can be used to solve problems and discusses results in simulation and on hardware.
Jessy Grizzle, a robotics engineer at the University of Michigan in Ann Arbor (UM) and team, are developing feedback and control algorithms that one day will give bipedal robots the balance needed to conduct search and rescue missions in dangerous environments.
A mouthwatering array of over 750 events has been taking place throughout Europe this week as the continent celebrates Robotics Week 2015. The festivities began with an eye-opening debate on “Robots and Society” in the UK city of Bristol on Tuesday, with experts versed in strategy, business, academia, law and policy. But, for many, the star of the show was Nao, in his guise as robot avatar.
NASA announced today that MIT’s Computer Science and Artificial Intelligence Laboratory (CSAIL) is one of two university research groups nationwide that will receive a 6-foot, 290-pound humanoid robot to test and develop for future space missions to Mars and beyond.
In this episode, Ron Vanderkley speaks with Dr. Eleanor Sandry of Curtin University about her new book Robots and Communication. In the interview, we explore human to animal communication and what we can learn from it; human to humanoid robots interaction; and human to non-humanoid robots interactions. Also, we discuss Western and Eastern perceptions of robotics.